Topamax users for migraines

Various random colors, VERY LIMITED QUANTITY. You can try requesting a color, but it can't be guaranteed. Trust me, they are all great.

"O Nod O Moon captures Nod at a rejuvenation point in their storied career as indie-rock castaways. Like a splash of fresh water on your face after working a long, hot, irritating day, Nod delivers you to a forgotten freedom. Lyrical themes on O Nod O Moon include a wide range of subject matter, including work theft, the moon, divorce, money problems, and love. Keeping with Nod tradition, the recordings here vary from plush and polished studio recordings ("Syddy", "Feeling Kinda Pouty") to the bare, first take, mumbling of pretty song ideas ("Old Man Waiting for You"). Fans of Nod will love this release for it's twisted blues, off-kilter tunings, and slippery pop melodies. New fans, many of whom were not yet born when Nod first formed on the beaches of Lake Ontario in 1990, should prepare for aural initiation. This is pure Nod."

35 minutes of mostly slow, sometimes fast, and always super heavy and thick bass and drums, with limited vocals. Tuurd rises from the ashes of Hilkka (math/indie rock band around for 13yrs). Featuring Nuuj (Pengo, Asthmatic, r.nuuja) and Joe Tunis (Tumul, Crush the Junta and formerly of Pengo), on bass and drums respectively. metal/stoner/doom/spazz/noise.

In the tradition of two-man acts such as Ruins, godheadsilo, Halo, Lightning Bolt, Big Business, Hella, Orthrelm and Om and influenced by the sounds of Corrupted, Abruptum, Sleep, Harvey Milk, Crom, Melvins, Karp, Killdozer, Zeni Geva, Thrones, Earth, Sunn 0))), Codiene, Painkiller, Oxbow, Cheer Accident, Slug, Unsane, Pelican, Meshuggah, 400 Blows, Isis, and of course Black Sabbath.

Limited to 300 on brown vinyl with full color sleeves.

"Velvet Elvis return in all their ragged glory to lay down a tape that features facets of both their past and present. No Rules in the Wasteland is a cassingle style release of epic proportions, featuring two brand new songs accompanied by two songs from the Favorite Horses sessions.

On the A side we have the sprawling, 15- minute title track, No Rules in the Wasteland. Here the band rides their signature riffs and soaring dual vocals into new supernaturally charged atmospheres, resulting in their heaviest and most psychedelic work to date. The B-side features two early rockers recorded during the Favorite Horses sessions: Pretty Girls in Lace and Stop and Think. Wrapping up this unearthly phantasm is the spoken word/dronescape, Where�s Your Marlboro Man Now?

Pro printed on Stonehenge artist paper in handmade matchbox style sleeves. Hand numbered edition of 100."

"Paired here on our first split release is Russia�s The Cats� Orchetsra with Ohio�s Giant Claw. Each of these artists have had some significant releases this past year and this one works to solidify them each with the highe echelons of experimental analog composition.

Giant Claw�s Righteous -Injustice- HellEarth is a vlissed out suite of warbling tapes and swooping phases colliding with wild oscillations that ecolve into a Riley-esque dervish. On the flip, The Cats� Orchestra�s Tail Tale invokes the spirits through a s�ance for organ and ghost percussion; a welcome meditative calm following the hyperactivity of the former.

Hand numbered limited edition of 100, pro printed on heavy card stock."

"rothund is sold out, but last week rotkop + antistrot + smittekilde + knust/extrapool did a oneweek collaboration which resulted in a new full color stencilprinted book. no title only a proud but shy nn on the gay side of the cover. if i would be good in writing reviews, i probably didnt make drawings. yueyh.. too quickly done inside work by janus prutpuss, kevin apetown, dennis tyfus, zven balslev, soren mosdal, johan kleinjan, jan-dirk krust and jelle crama. 44 pages, A5 size, full color"

[sample pages]

schizoide, belgian famous guitar destroyer raging against electronic sillyness produced by his beloved 'sharki', known from crack w.a.r. and tarantism. its all about friends and frustrations actually. co-released with audiobot and x+z=0. comes affixed to a large multi-color poster.

"Ever wondered how albino rats playing jazz funk greats, would sound ? Second street to the left and you're halfway out there... Dark Inside The Sun bark primitive in the pure songwriter rattling bone style. A crackling array of wounded instruments that jump like ants out of the pants. Smelly drumsticks, broken casio and a delirious craftmanship of hysteric love songs. Even lower than the whale turd at the bottom of the sea...

Strongly affilitated with Western Mass psychos Yeay!. Packaged in phat silkscreened fold-out covers by none other than Drama chief Jelle Crama. Limited to 150 copies, if memory card still works..." - carlo steegen

"beniffer editions cordially invite you to take a whiff of the soggy tour panties of crank sturgeon and gastric female reflex who in the midst of poor hygiene and everlasting sunday morning sentiment bring you their first collaboration. these psychic emanations of pedal gazing, pause button cliff-hangers and haphazard button compressions were recorded on dennis tyfus' radio show and edited down to the bare essentials by charles balls. art works by sekitani in tri-silkscreened splendor by thee benifese retions! "

[Recently found inventory from record store. 1 copy back in stock!]

"9 hours with jim and the greatful dead is a 30+ minute improvisation using guitar, amp and a few guitar modulation effects that I find unique and necessary to express through certain sounds, and is a one take 30+ minute "jam". when I first planned to record it it was meant to be a joke on a long and strange conversation I had with Jim Dunbar and Don Fleming at a show the night before about The Legendary Greatful Dead jams in the west coast that supposedly lasted sometimes up to that long and that apparently Jim saw more than once. I wanted to make something with enough variation of sound and mood so that it felt like it was 9 hours compressed in a much shorter "jam", steal some interesting moments from the eternal dictation and crunch them all together in one piece. When I started playing the guitar, the piece evolved into something else and I just let it go. for 30 minutes +, what I consider a long time for 1 "jam". maybe I am to young and have a short attention span, or maybe I just wasn't there. You can ask Jim about it, Jim was there, for 9 hours, more than once. I really couldn't be there, I wasn't born at the time and currently I am still trying to finish college." [color stickers attached to sealed white cd folders. edition of 75]

"Known primarily for his work on baritone sax in a variety of duo and trio formats with the likes of Chris Corsano, Paul Flaherty, Ravi Padmanabha and most recently Bill Nace, Steve Baczkowski unleashes his first recorded solo outing that pushes his improvising techniques and sonic palette to a whole new level on Tone Arm. The foundation of the piece is maintained through looping and tone arm manipulation of home modified vinyl records over which Baczkowski introduces melodies, whistles, scratches, squeaks, squawks and bellows through bird whistles, baritone sax, flutes, and bells.

Recorded live Sugar City, Buffalo New York, May 30th 2010.

Hand numbered Edition of 100."

�Song Poems Wanted� read the ads. �We need new ideas for recording!� The send-us-your-lyrics business was a borderline scam, taking whatever lyrics came their way from would-be songwriters and � for a fee � setting them to music. None of the results ever came close to being a hit, and to be sure, the vast majority was sufficiently bland or clumsy to insure no great karmic loss in their instant obscurity and miniscule press runs. But Rodd Keith � the late, great genius whose prolific output was almost completely confined to the song-poem industry � had a knack for turning sow�s ears into silk purses. The nature of the business required him to work quickly, with no second takes, and his skill at writing and arranging on the fly was not unlike that of a master improviser. When at his best, he put his unique musical stamp on some lucky customer�s submission.

My Pipe Yellow Dream is the second Roaratorio anthology of the highlights of Rodd Keith�s work. Compiling fifteen previously unreissued songs from 1966 through his death in 1974 � including a never-before-heard cover of �Choo Choo Train� � My Pipe Yellow Dream showcases the full range of his talents. From exquisite mid-60s pop balladry (�Deep Velvet�) to blue-eyed soul (�You Don�t Have To Alibi�) to folk-rock (�Tired Of Waiting�) to solo Chamberlain creations (�Red Sports Car�) to gospel testifying (�O Jesus My Savior�) to a pair of patriotic screeds (the all-spoken word �America The Not So Beautiful� and the bizarre-world lounge funk of �Search Out Your Soul, American�), this collection continues the rehabilitation of Rodd Keith�s recorded legacy from thrift-shop throwaway to celebrated cult artist.

A limited edition LP in a gorgeous gatefold jacket, with artwork by Josh Journey-Heinz and liner notes from song-poem vocalist Dick Kent.

50%/50% poly/cotton black pullover (w/pocket) hoodie with gray/silver ink design. i used an older worn screen to distress the logo a bit.

100% cotton short sleeve black tshirt with gray/silver ink design. i used an older worn screen to distress the logo a bit.

100% cotton short sleeve dark blue tshirt with gray/silver ink design. i used an older worn screen to distress the logo a bit.

100% cotton short sleeve light blue (manufacturer calls it Indigo) tshirt with gray/silver ink design. i used an older worn screen to distress the logo a bit.

At some point QBICO mentioned to Dave Cross that they were interested in putting out a Coffee album. Dave Cross gave me two cassette tapes that were recorded years earlier. One had a spacey synth jam that he wanted me to change from Stereo to Mono and spruce up a bit. The other was a four track practice jam tape of Dave Cross, Tim Poland and Joe Sorriero playing some sort of noisy free jazz or something. Dave told me that he liked how bits of it sounded, but did not like any particular chunks as songs. His direction to me was to use this as source material and make it sound like Harry Pussy.

I transfered the four tracks individually from the tape, listened to each and then selected short sections that seemed the most appropriate and mastered them individually. I then dumped all the snippets into a multi-track program and started to arrange them. Mostly I stuck similar bits together and sort of constructed songs, that overlapped. At some point I also got the idea that I should give each player a short solo section, to make it seem more like one long, organic, free jazz piece. The result was "Pissing Contest (Loser Version)". It did not sound like Harry Pussy. For some reason it reminded me of This Heat. I then had an idea that I should make a more chaotic version by simply looping every track after it made its appearance in my constructed recording. Afterwards I made several different mastered versions of both versions and gave them to Dave. Dave told me had a hard time picking as he liked both versions, but the second version came closer to his original concept so that's what we sent to QBICO to get pressed as "Pissing Contest". If one listens closely, one can hear this first version underneath the official version. Also included in this release is a Stereo version of "Space 1988".

r.nuuja 2011

This is the first release in the Carbon 15YR.Series. Documenting Social Junk's 2008 Summer Tour (with Big Nurse), this is a great collection of live drone/drum/out captures. Similar to the Dead C, but with their own unique rhythm and pace. [packaged with a full-color pro-printed folded card in a heavy duty vinyl sleeve] [Digital Download comes with a PDF of the artwork and liner notes]

This is the second release in the Carbon 15YR.Series. Recorded in 2007 and 2009 in Stavanger Norway and Weymouth UK respectively, this is some dense heavy drones with the perfect balance of texture and movement. [packaged with a full-color pro-printed folded card in a heavy duty vinyl sleeve] [Digital Download comes with a PDF of the artwork and liner notes]

This is the third release in the Carbon 15YR.Series. This is an amazing collection of various projects of Irene Moon, including Auk Theatre, Darker Florida, Collection of Late Howell Bend and solo Irene. Performance art/installations, meets science/entomology, meets weirdo noise-scapes. check out www.begoniasociety.org for more information on each group. [packaged with a full-color pro-printed folded card in a heavy duty vinyl sleeve] [Digital Download comes with a PDF of the artwork and liner notes]